Born in Kaohsiung in 1988, Chen Han-Sheng received his MFA from the Institute of New Media Art, Taipei National University of the Arts. Currently one of the directors at Taipei ArtCreator Trade Union, and the curator of Walking Grass Agriculture, Chen excels at experimental animation, mixed media, and kinetic installations. His issues of interest include personal family background, which extends to his works that focus on agriculture, natural environment, gender issues, etc. Chen has been a resident artist in China, Thailand, Hong Kong, and Taiwan.

Urban city is the symbol of civilization, while anxiety is the product of civilization. The anxiety, which is hard to be articulated, keeps circling one's mind. The "Small Playful Objects" series combines ceramics, glazed wares, twined flower artistry and kinetic installations, echoing the nostalgic sentiment. Some say that wonderful essays are like the landscape on the desk, while the natural landscape is the essays of the earth. People in ancient times used treasure boxes as containers for their precious objects. Yet for Chen, they are the habitat of his hometown scenery. Partitions within the boxes are like the crossed ridges and furrows in the cropland. Staring inside, one sees a space that encompasses all movements in their hometown.

He has been keen on handcraft since his schooldays and wants to try different craft materials. In one traditional craft exhibit, he knew the technique of twined flower. In his childhood memory, the twined flower is all made out of plastic. The fact that embroidery thread can be made into three-dimensional brings impact on him. So he has the idea to collaborate with a traditional craft artist.

​